5 - Ensemble 253

duration: 90 minutes, maximum number of participants: 20 You explore your voice as a versatile instrument through playful experiments with breathing, resonance, articulation, and more. Using “Son-Icons”, Hug’s musical-visual creation method, vocal improvisations, and the vocal, gestural, and visceral sound production are recorded and visualized. The change of medium and the resulting “visual music” reveal…

duration: 90 minutes, maximum number of participants: 20 You explore your voice as a versatile instrument through playful experiments with breathing, resonance, articulation, and more. Using “Son-Icons”, Hug’s musical-visual creation method, vocal improvisations, and the vocal, gestural, and visceral sound production are recorded and visualized. The change of medium and the resulting “visual music” reveal…

An Introduction to Feldenkrais Awareness Through Movement As Applied in the Voice Studio

Why not everyone needs to breathe into their abdomen Singing made easy thanks to the economisation of diaphragmatic movement. But how do we achieve this? The breathing type model shows how the respiratory muscles work in the two different breathing types. Put simply, there is abdominal breathing and flank breathing. Integrative voice training accompanies singers…

the significance of inverted positions in freeing the speaking and singing voice

VOICE as BODY and BODY as VOICE. Marta Raviglia proposes an innovative and holistic approach to the study and practice of improvisation through the synergy of singing and movement. This is a practical workshop, not a lecture, that centers on the idea that the voice is inseparable from the body that produces it. Participants will…

Taming Tension and Performance Anxiety with Feldenkrais Awareness